Professional Disc Jockey Products
EM460
PROFESSIONAL DJ EFFECTS MIXER
With KAOSS* Pad Multi-effects Processor
Owner’s Manual
*KAOSS technology under license from KORG
©2000
Industries
EM460
EM460 PROFESSIONAL DJ EFFECTS MIXER
With KAOSS PAD Multi-effects Processor
CONGRATULATIONS!
You have purchased the EM460 Stereo Effects Mixer by
completely interactive, real-time effects processor. This one of a kind DJ product boasts all of the qualities that
you have come to expect from a mixer plus, it features a built in KAOSS PAD*. This piece of
. The first series of DJ mixers with a
equipment literally puts effects processing at the DJ’s fingertips. The EM460 is easily suited for mobile or
installation use. Special features found on this product are eight line inputs, rotary cut control, balanced outputs,
and fader start. The fader start feature is designed to work with
’s Fader Start CD players as well as its
other popular CD players. The KAOSS Pad* effects processing unit lets the DJ control his choice of up to
sixty effects programs in real-time. The effects unit allows for sampling functions, parameter controls, and
MIDI compatibility.
Thank you for purchasing NUMARK products!
Mixer Features:
KAOSS PAD* Features:
• Eight line, three phono, two mic inputs
• Front panel NeutrikTM mic input
• Master with Balanced outputs with EQ and Panning
• 3-band EQ, Pan, and gain control on all channels
• Completely assignable and replaceable cross-fader
• Fader start
• Real-time effects processing
• X-Y touch sensitive pad
• Separate parameter controls
• Sixty “effects programs”
• Hold switch to lock in settings
• Sampler (5 seconds at 48 kHz)
• MIDI compatibility
• 2 Zone outputs
• Split/blend headphone cueing
• 100% digital processing
*KAOSS technology under license from KORG
Table of Contents
Safety Measures
Introduction
2
KAOSS Effects
MIDI Implementation
Specifications
8
3
3
4
7
9
Registration
10
11
12
Description of the Features
Quick Setup Diagram
Bock Diagram
Warranty
Product Registration
Please record the serial number of your unit as shown on the back of the chassis as well as the name of the
dealer from whom you purchased the unit. Retain this information and your original purchase receipt for
your records. Please return the enclosed warranty card to register your unit with us.
MODEL: __________________________
SERIAL NUMBER:__________________
PURCHASED FROM:_________________________
DATE OF PURCHASE:________________________
- The Leader in DJ Technology
©2000
Industries
- 3 -
EM460
MIXER FEATURES
24
23
5
4
7
18
25
22
28
6
16
29
15
14
3
2
13 27
26
30
1
8
19
17
11 9 10 12
20 21
INPUTS
11. Split/Blend Cue – controls how PFL and Program audio are
sent to your headphones. In split mode, the PFL audio can be
heard in your left ear and PGM audio can be heard in your right
ear. In blend mode, both PFL and PGM can be heard in both
ears.
1. Input faders - control individual source levels in the mix.
Note: Never use spray cleaners on the slide controls. Residues
cause excessive dirt build-up and this will void your warranty.
In normal use slide controls can last for many years. If they
malfunction (usually because of a dirty or dusty environment)
consult a professional technician.
12. Headphone output – for your 1/4” headphones.
2. Input Toggle Switches - select which source will be live to that
channel based on what you have connected to the rear panel
input section.
OUTPUTS
13. Master Fader – controls the overall output level.
14. Stereo/Mono toggle - adjusts the Master output for stereo or
3. Panning – adjusts the balance of right to left audio
mono operation.
4. 3-Band Stereo Equalizer (EQ) - compensates for differences in
source material sound quality. You can create interesting effects
by removing frequencies if you turn the knob to –30dB.
15. Panning – adjusts the output balance of right to left audio.
16. 3-Band Stereo Equalizer (EQ) - compensates for differences in
source material sound quality. In ultra-compact mobile systems
this EQ can be used to tailor the sound to the acoustical
requirements of the room.
5. PFL Gain – allows you to adjust the input level of the music to
match other channels. The idea is to set all input levels to
approx. 0dB so channels match. Do not try to match to the
master output meter.
17. Booth/Zone Fader - controls speaker volume for a remote zone
or booth monitors.
6. PFL Meter – to allow for precise matching of channel input
NOTE: This can also be used to supply line level audio to a
levels.
lighting controller or to lights that are sound activated.
7. Neutrik™ “Combo” connector - allows connection of either a
1/4” jack or an XLR jack. This is ideal for connecting an XLR
gooseneck directly into the mixer.
18. Stereo Auto Peak Hold Level Indicator- quickly and
accurately tracks level of audio output. The red LEDs for +3dB,
+5dB and +8dB hold program peaks for a second or two. With
peak metering, it's OK to be "in the red" as long as +5dB or
+8dB aren't constantly lit. When using as a master output
meter, set the crossover, equalizer and power amp inputs to
avoid distortion at each step in the audio chain. Proper attention
to the peak meter results in the punchiest possible sound without
audible distortion.
HEADPHONE CUEING
8. Channel Cue Assign - are used to route Pre Fader Level (PFL)
channel audio to the Monitor Section. The channel faders do
not control the Cue volume.
9. Headphone Mix - controls the mix of PFL and PGM signals to
your headphones. When the slider is moved to the left, all you
will hear is the cue source. When the slider is all the way to the
right, you will hear what is playing through the master output.
By blending, beats can be matched exactly and segues can be
smooth when a song is cued.
10. Headphone Level – adjusts cue volume.
- The Leader in DJ Technology
©2000
Industries
- 4 -
EM460
CROSSFADER
20. Crossfader Assign Knob - determines which input channel will
be heard when the crossfader is moved towards the knob. With
the crossfader centered, both assigned channels are live. Use the
crossfader for fast and seamless segues from one selected
channel to the other.
19. Replaceable Crossfader - achieves clean segues between the
two input channels selected by the Crossfader Assign.
Note: The crossfader is a user replaceable item and subject to
wear. Excessive force can wear out the fader quickly. This is
not a warranted item. In case of failure. Simply unscrew the two
large screws that hold it in place, lift it out and disconnect its
cable. Re-attach the new crossfader and screw the mounting
plate back onto the unit - you’re back in business!
21. Fader Start – activates the crossfader to send play and cue
commands to your auto-start Numark CD player or other
popular brand. For fader start, attach your mixer to a remote
start CD player using industry standard 1/8”(3.5mm) cables.
When you move the crossfader toward the active channel, the
attached CD player will start. When it is moved away, that side
will cue (similar to pressing the cue button).
KAOSS PAD*
22. Process buttons – send post channel fader audio to the KAOSS
29. EFX ON/OFF / Sample Record switch- This can be used to
switch between the effect sound and the direct (unprocessed)
sound, or to record a sample.
PAD for processing.
23. Process Blend Control – mixes processed (efx)-wet audio with
unprocessed (src)-dry audio. Use this in conjunction with the
KOASS pad to reach desired effects.
When sampling this button lets you record a phrase that you
hear and then play it back by operating the touch panel.
24. Preset Program keys (1–6)- You can assign programs to keys
1–6 for convenient selection.
Program assignment:
Use the following procedure to record and playback samples.
a) Press one of the PROGRAM MAP keys.
• Using the PROGRAM knob or the PROGRAM MAP keys,
select a sample/play effect (program numbers 51–60). The
REC switch LED will blink, and the KAOSS PAD will be in record-ready
mode. At this time, the sound will be output without anychange.
b) Use the PROGRAM knob to select the program that
you wish to assign. If you wish to memorize the
HOLD setting, turn the HOLD switch to ON after
selecting the program, and touch the touch panel to
specify the position.
• Press the REC switch to begin recording.
c) Press and hold the PROGRAM MAP key you pressed
in step 1 for approximately two seconds.
• Press the REC switch once again to stop recording. The REC
switch LED will light. Even if you do not press the REC
switch, recording will end automatically when the maximum
recording time has elapsed. (The maximum recording time
will depend on the program.)
25. Touch panel- You can control the sound by using your finger to
rub or tap (strike lightly) this panel. Never press down too
hard on the touch panel, or place a heavy object on it. Rough
handling can cause it to crack or break. Rubbing or pressing
the touch panel with a sharp object can scratch it, so only use
your finger to operate it. If cleaning is necessary, wipe only
with a soft dry cloth. Using solvents such as thinner may melt
the surface of the touch panel. Note: Affix the included
protective label to extend product life.
• Operate the touch panel to playback the recorded phrase. The
sound will change depending on the position where you
touch the panel. The way in which the sound changes will
depend on the program.
• To re-record, press the REC switch again. The previously
recorded phrase will be erased, and a new phrase will be
recorded.
26. Hold Switch- When this switch is ON, the current state of the
effect will be maintained even if you remove your finger from
the touch panel.
27. Program Knob- Use this knob to select programs (1–60).
Please see page for a complete listing of effects.
If you change programs to a non-sample program, the
recorded phrase will be erased.
28. Program/Location Display- This shows either the currently
selected program number or the location of the point that you
touched on the touch panel, depending upon mode.
•
•
When selecting a program: the program number (1–60) will
be displayed.
When operating the touch panel: the position you touched
(1.1–9.9) with 5.5 being the center) will be displayed.
Example display: 3.8
vertical position is (3) / horizontal position is (8)
If you select a program that has a Hold On setting, the
program number will be displayed, and then the position
that is being held will be displayed.
*KAOSS technology under license from KORG
- The Leader in DJ Technology
©2000
Industries
- 5 -
EM460
REAR PANEL FEATURES
12
13
6
5
5
5
8
1
3
2
14
10
9
11
7 4 7 4 7 4 7
1. Power Switch – To turn unit on after you have turned on
all input devices and before you turn on any devices
attached to the output.
8. Mic Inputs – for plugging in your ¼” mic connector
plugs.
9. Record Outputs – Unbalanced output used to send the
2. IEC Power Cord Receptacle - To plug your power cord
in before switching on power. See safety precautions on
page 3 for proper treatment of power.
output of the program to any connected recording device.
10. Zone/Booth Outputs - Unbalanced output controlled by
Zone Level control on the face panel for extra speakers,
lighting, or recording your mix.
3. Voltage Selector Switch – To select the proper power for
your region. Please check carefully that this switch is set
properly for your area before plugging the unit in.
11. Unbalanced Main Outputs – Unbalanced program
output controlled by the Master fader knob.
4. Phono/Auxiliary Inputs – Plug your turntables or line
device in here. Select the AUX/PHONO switch (6) to the
desired input.
12. Balanced Outputs - These XLR Stereo Main Outputs are
reliable Balanced connectors controlled by the Master
fader knob. Power transformers and other devices, which
cause magnetic fields, can induce hum in audio cables.
This can be best resolved by using balanced lines where
inputs and outputs permit. Balanced lines are also the
most effective means of reducing or eliminating RF or
radio frequency" interference.
5. Phono/Auxiliary switch – Select the appropriate position
for your input device. With phono selected the input
signal is fed directly to the PRO SM-1's high-quality
RIAA phono pre-amplifiers so use this input only for
turntables. Line level sources will overload the sensitive
phono pre-amps. Switch this over to the AUX position
for line devices such as CD players and Tape decks.
13. Fader Start Connector – to attach your mixer to a
remote start equipped Numark CD player using industry
standard 1/8”(3.5mm) cables.
6. Ground lug - Use these connections with your turntables’
grounding cable to avoid signal hum.
14. MIDI Output – Attach Midi output to external
processors to be controlled by the KAOSS Pad. See page
9 for details on signal output.
7. Line Inputs - To connect stereo audio from HiFi VCRs,
cassette and reel-to-reel tape decks, DAT machines, CD
players, laser discs, tuners, even synthesizers or other
mixing consoles.
NOTE: Plug mono audio sources into both Left and
Right inputs using a “Y" cable connector.
- The Leader in DJ Technology
©2000
Industries
- 6 -
|